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Dance Star Matthew Ball on Grueling Roles and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally straight-backed, his limbs defined beneath a plain white T-shirt. During performances, dancers can seem like powerful deities, yet frequently in person they are small. Not so Ball, whose height is one reason for his demand for heroic characters and partnering. With delicate traits and piercing eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Top

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Raised in Liverpool, he faced little teasing for his childhood interest in ballet. Entering the Royal Ballet School at 11, he moved directly into the company and was advanced annually, reaching the highest position of lead dancer in 2018. He has loved taking on meaty characters, especially the emotional angst found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His upcoming starring appearance is as himself, in an "In Conversation" event designed to offer behind-the-scenes perspectives into a dancer's craft. He will guide the crowd through a role, demonstrating his cognitive workflow while performance. Even in lighter works, the challenge is profound. "Don Quixote is one of the toughest from a skill perspective," he states.

The Psychological Game and After the Show Emotions

How does he feel following a show, when he has pulled it off? "It feels pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get lost in the role, frequently I do feel self-conscious later. Following Mayerling I'm always thinking: Wow, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Does this exist? "I am very active usually, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Early Drivers and Artistic Inspirations

His determination stemmed from early experiences. Not doing well in competitions at school made him "vengeful!" It was motivation to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

The next challenge is making his own dance works. For Ball, "organic movement has value." "Challenging the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from literature, music, and art.

Close-Up Dance and Personal Dynamic

He additionally is interested in presenting dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They aren’t usually paired on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Image

On social media, fans can see videos from his dance films and images that highlight a athletic physique. Does he mind that the response can be a bit objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to viewing Michelangelo’s David—something that can be interpreted on various ways.

Ball characterizes his early self as "desperate for success." Did it met his expectations? "I feel very aware of how reality is a different reality to the dreams you had as a young person," he reflects. He likely has another decade of dancing left. "I suppose in the time to come, I want to be a bit more kind with myself."

About the author

Shawna Stewart

A seasoned lifestyle journalist with over a decade of experience covering luxury trends and exclusive events across Europe.

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